China Japan Korea Traditional Costumes Exhibition Highlights Non Heritage Essence
October 23, October 22nd, Jin Yuanshan's "traditional patchwork technology exchange" in the northern clothing creative factory in Guizhou, the exchange of traditional embroidery techniques in Chinese Xu Meiyu, and the Japanese Miao people in Japan.
Clothes & Accessories
The four traditional techniques, namely, technical exchange "and" South Korea's "traditional Korean dress adornment skills", are the essence of traditional costumes of China, Japan and Korea.
material
The form of cultural heritage is fully demonstrated.
Reporters at the scene saw that the central part of the creative factory hall was decorated with many gorgeous ones.
Hanfu
。
It is reported that many of the exhibits are copies of unearthed relics after restoration, and are very valuable.
Korean experts on the spot to explain the Korean hat bamboo fiber production process and personally demonstrate.
Professor Pu Shengshi specializes in the research and restoration of traditional Korean clothing for many years, copying many pieces of traditional Korean and Chinese traditional costumes, and exchanging research results with the exhibition.
The "traditional patchwork technique" shows the combination of earrings, brooches and all kinds of costumes, from plane patchwork, embossed patchwork, patchwork and patchwork art, and the use of natural dyeing methods to fully demonstrate the broad and profound Chinese traditional culture.
His author Jin Yuanshan is a famous quilt artist of the Chinese Korean nationality. His quilting works are collected by the Korean straw grass Museum, the Jiangling Municipal Museum of Korea, the Museum of Fine Arts in New York, and the collectors of Canada, Korea and Japan.
As a famous Japanese costumes and culture scholar, a doctor in history and Chinese fabric technology specialty at Donghua University, China, Mrs. Nelson has worked hard to study the relationship between Chinese Miao embroidery techniques and ancient Chinese embroidery techniques. She also brought many Miao costumes and embroidery pieces from Miao clothing to embroidery to preserve them.
The exhibition is a major activity of the first ICCEC International Forum on clothing culture industry organized by Beijing Institute Of Fashion Technology.
Liu Yuanfeng, President of Beijing Institute Of Fashion Technology, said that traditional culture is the true source of China's concept and derived from the spirit and materialization form of the times in different times.
Fashion design and culture depend on each other.
Design is rooted in culture and at the same time, it also gives the culture a more added connotation.
Traditional costume culture and modern design, creative design of costumes of Chinese characteristics are exactly the topics we are facing, and also the theme of this forum.
In addition, as an important fashion activity of the forum, the exhibition of teachers' works at Beijing Institute Of Fashion Technology and the famous costumes designer Koshino Hiroko's personal costume design show were held on 21 and 22 nights respectively.
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