Wuhan International Fashion Week Fashion Wuhan Feels Different Fashion Every Day.

Here world

The Xiaobian of the network introduces the fashion Wuhan, which is different every day - the third Wuhan international fashion week.

My family had opened France.

The channel, watching the show in the spare time also has a little taste.

Occasionally, some domestic TV shows also show some fashion shows, which are uneven and unconcerned.

Now my hometown, Wuhan, has started the fashion week, because there have been many times in which work has been done.

One of the insights: clothing is not equal to fashion, fashion is not fashionable, fashion is not fashion, fashion is not reality.

Fashion is a fashionable garment. It is a historical heritage of ancient culture and modern culture, and a combination of a country's culture and a foreign culture.

Chinese fashion has a long history, and every historical Dynasty has its own unique fashion.

These become the wonderful flowers of Chinese fashion.

History is far away from us, but the culture of history is deeply rooted in our blood.

China's fashion show should be "show" in there, I think it should be shown in history, beauty in today.

Suddenly I remembered the fashions of Chinese dynasties.

Legend has it that in ancient times, the image of emperor Shen Nong was dressed in red, with arms like arms, with leggings and leggings, with his head wearing a bird's hat, pedaling leather shoes, and holding farm implements. It was like a portrait of a farmer.

The legendary common people wore a hat or a cylindrical cap instead of a feather hat.

Just imagine, what would happen if we moved the fashionable clothes of the ancient times to the modern international fashion T stage? Bold, resolute, strong, simple, convenient and environmentally friendly, a powerful man appeared before us.

In secondary school textbooks, we know the invention of "bone needles", and archaeological finds that ancient Chinese costumes already have quite a number of ornaments, which contain all kinds of perforated stone beads, shells and animal teeth.

Loving beauty is the natural quality of the Chinese nation.

China is a large agricultural country, and agriculture has cultivated the simple character of Chinese people.

Everything is developing in agriculture.

With the development of agricultural civilization, there are linen, Kok, silk and woolen fabrics in the Neolithic age.

Hand weaving technology has plain weave, twill, twist, winding and other weaving methods.

Clothing matching in primitive society includes crown cap, clothes, trousers, leg protector, slanting boots, hairstyle, jewelry, pattern color and so on.

If fashion refers to clothing alone, it is meaningless, because it is not fashion, but should be called clothes.

Fashion must match the human body to interpret fashion.

In ancient times, people in our country knew how to use hairstyles to match the beauty of fashion, from hair to braid to bun.

The beauty of China's hair accessories is very early.

Fashion is not just clothes, shoes, caps, bags are all important contents.

Fashion is not only a coat in China, but also a very important part of underwear.

China is a country with a long history of feudalism.

But in ancient China's many pictures reflecting the "spring palace", the ancient underwear is also very exquisite, some luxury, some sexy, some casual.

The silk dress of Mawangdui Han tomb No.1, a world wonder, has its quality, its light and its show.

Not to mention the time of Jiangnan Huang Po Po.

All of these constitute a complete set of fashion culture peculiar to China.

Here, it has to remind us of the "show" of Chinese fashion shows. Fashion show is a form of western culture, and it is just a form of fashion culture.

There is no means, no substance, no beauty.

Work hard, dig deep into our history, leave the best things in China to the world, this has been the contribution of Chinese people.

Sentiment two: it says that fashion shows are the means of expression of fashion culture. "There is no substance in means, nothing in the United States."

Similarly, means are the tools to convey feelings and ideas. With better content, there is no good means, nor can beautiful things be beautiful.

The Wuhan international fashion week has been held for three times, and there has been some progress every time.

But like some other fashion shows in China, the feeling is not satisfactory.

I am looking at the "excitement" of the reasons for grinding the problem, the general feeling is "not professional enough."

First, the excavation of ethnic cultural elements needs further professional upgrading; two, attention should be paid to distinguishing the relationship between professional development and commercial development from an ambiguous position, strongly showing that the cultural and artistic charm of fashion is not enough; three, the lack of guiding people to understand the meaning of every work, the ability to learn and dialogue with their works through "watching show", and four, the specialization of the organizational form of fashion shows.

From close to open, China has embraced the world with open arms.

Although the fashion show has a history of twenty or thirty years in China, it is only three years in Wuhan.

In the initial stage of fashion show in Wuhan, sponsored by the municipal government, the joint undertaking of government departments with universities and society is necessary, and the beginning is good and worth affirming.

However, "professional people do professional things" is the key to upgrading the fashion show.

Three of perception: Wuhan's aspiration and China's cry.

The evening of November 9th was the end of the Wuhan international fashion week.

At the end of the three rounds of fashion show, there was a rapid footstep in the dark light of T. With the opening of the lights, a shocking scene appeared in front of the audience. All the fashion models were full of backstage. They held high the slogan such as "fashionable Wuhan", "Wuhan is different every day", "revitalizing Wuhan" and so on. The model constantly waved to the audience, bringing the atmosphere of the whole fashion week to a climax, and the audience of the audience shouted all the way to T.

Although this form is somewhat out of tune with fashion show, this strong atmosphere makes me feel the desire of the Chinese people for culture. It is like repressing too long for too long to vent their grievances. I deeply feel the Chinese people's cries for civilization and call for the revival of the motherland in the indignation.

We have begun to move towards an economic power. If there is no real call for civilization, we will not be soft.

We will not be able to get to the economic power, and we will also owe our nation's future.

From this cry, I deeply feel that there is hope in Wuhan and hope in the motherland!