The 2018 Annual Joint Meeting Of The China Academy Of Fashion Designers' Academic And Exhibition Committee And The Qiannan Ethnic Dress Culture Forum Held In Guizhou Province

In July, the Qiannan customs were the dance of Miao village, and the song of the Shui nationality was the sea of "non heritage", which was continuously spread.

In the landscape and Guizhou rhymes of the wooden bamboo loft, the 2018 annual joint meeting of the China Academy of fashion designers' academic and Exhibition Committee and the Qiannan Forum on ethnic dress culture were held in Tuyun, Guizhou.

This event is sponsored by the academic committee of China Fashion Designers Association and the exhibition design Specialized Committee, and is hosted by Qiannan Normal College for Nationalities.

Zhang Qinghui, vice chairman Li Chaode, Xiong Zhaofei, Bian Xiangyang, and more than 100 leading scholars and representatives from 57 colleges and universities in China gathered together to discuss the development path of the current design education. They interpreted the traditional costume culture and the sustainable design concept from a diversified perspective, focused on the training of fashion designers and design personnel, and explored the humanistic prospect of Chinese design and the new path of fashion development of China International Fashion week.

In order to further carry out the work, the vice chairman and the chairman of the Academic Committee deliberated and proposed that Wang Zhaohui, vice president of the school of dress and vice president and chairman of the fifth academic work committee, vice chairman and chairman Xiong Zhaofei, and Bian Xiangyang, Professor Li Haibing, vice president and director of Hubei Institute of Fine Arts, will no longer serve as chairman of the Committee. At the same time, the conference also proposed that the fifth academic committee should add Song Defeng, Yu Xiaoqun, Yuan Dapeng, Cui Hui and Zang Ying Chun 5 as executive committee members, and add ",", ",", "Qiu", "Qiu Qiu" and "5" as academic members, and supplement 4 of Chen AI, Yu, Wei, and 4.

The meeting also heard the report of the 2018 Annual Academic Committee and the display Committee of Zhu Shaofang and Deputy Secretary General Han Yongcheng, and the analysis of the fashion trend of the 2018 China International Fashion Week by Chen Chen, editor in chief of the fashion designer magazine. The conference was hosted by Wang Yongjin, executive dean of the school of clothing art and engineering, Beijing Institute Of Fashion Technology.

Then, the first part of the seminar focused on the theme of "design education and personnel training". The keynote speeches and keynote speeches of all experts and professors were the main contents. The personnel training mode and characteristics of contemporary design education and cultural inheritance and design education were interpreted. At the same time, around the three topics of open design, sustainable design and intelligent design, the trend of the millennial generation fashion design was discussed in a diversified perspective, exploring the future innovation and development mode of China International Fashion Week and the new plan for improving the discourse right of Chinese fashion design in the new era.

Li Haibing, director and associate professor of the Department of fashion art and design, Hubei Institute of Fine Arts, believes that the stage of China's international fashion week is an unprecedented stage of vitality and creativity, and that students who are about to enter the society will also occupy a strong force in the future development of China's fashion culture industry. Innovative design has become a new productivity.

Then, Professor Yu Xiaoqun, Vice Dean of the school of fashion, Zhejiang University of Science and Technology, said that since 2013, she has participated in the six China International Fashion week. She has witnessed the rapid growth of the fashion week for college students.

She puts forward the expression of cultural confidence in costume design, which is based on the traditional culture, integrating the uniqueness of Chinese philosophy, humanism and moral concepts into the state of multicultural coexistence in the world.

Dr. Song Defeng, vice president of the school of art of Northeast Dianli University, further talks about the role of traditional clothing culture in the discipline construction and education. He said that the school has long devoted itself to the study of traditional fish skin and fish skin accessories in Hezhen nationality, and the innovation and redesign of ethnic handicrafts has a direct impact on the development and construction of many fields such as contemporary design, minority culture and art, and the protection of ethnic minorities' original art.

Later, Professor Wang Lu, Dean of the school of art at China Women's University, said that institutions need to establish clear positioning of applied talents training, and design thinking to explore the diversity of applied clothing design.

If we want to explore the possibility of sportswear design innovation, we must focus on the current health theme.

Under the background of diversity and individuation of sportswear consumer groups, sportswear design needs to be combined with diversified lifestyles, and the demand of fashion can satisfy more general consumption needs.

In addition to in-depth discussions on cultural confidence and application design, this seminar also gathered experts from the display committee to share with them.

Fang Yi, director of fashion design department of Jilin Engineering Technology Teachers College, has shared his thoughts on the teaching mode of clothing display course under the background of integration of production and education. He believes that the contemporary fashion design should pay attention to the consideration of audience dimensions. The design is not only for the purpose of producing garments, but rather for the audience to design clothes that satisfy their life scenes and emotional needs.

Teachers should teach exhibition courses in shopping malls, and fully cultivate students' perception of "watching, doing, enjoying and doing."

Based on the integration of industry, University and research, the goal and mode of personnel training can be clearly defined.

Han Yang, associate professor of the school of fine arts and design, Wenzhou University, focuses on the exhibition design course under the background of multi-channel retailing under the theme of "clothing education in new retail era".

He talked about the current Internet and physical store sales from competition to cooperation and win-win situation, and diversified retail formats under the line, such as: community, sales outlets, lifestyle experience shops.

Under such circumstances, clothing display education has encountered unprecedented opportunities and challenges. This requires the teacher to deal with more complex commodity structure. Display is not just a display of clothes. Clothing display is the last step to promote sales.

In a short two hours' seminar, the professors on the stage spoke freely, and the experts on the stage were busy making records and interacting with each other. The warm atmosphere on the scene appealed to the paper for less than 1/10000 of the meeting hall.

After a short break, in the upcoming Qiannan folk dress culture symposium, experts attending the conference said that Qiannan's national costume culture is long, colorful, and has significant inheritance and integration, which contains rich cultural anthropological information.

In today's clothing industry, the voice of national dress culture research and publicity is getting higher and higher. Mining, collating, reproducing, researching, displaying, inheriting and innovating national dress culture is imperative.

Vice chairman of the China Fashion Designers Association, curator of Shanghai Textile Museum and Prof. Bian Xiangyang, Professor of clothing and Art Design Institute of Donghua University, said that Qiannan has more than 30 ethnic minorities for historical reasons. Their entire cultural status is relatively intact. Qiannan minority dress is a symbol and carrier of the traditional culture of Qiannan minority nationality. It is a "culture on the body" and "no word history books".

If we want to fully tap the culture of Qiannan's ethnic costumes, we must "forget the original" and turn it into a non material carrier with content, memory and temperature. This can also help all ethnic minorities in textile, embroidery, batik and costumes to be accompanied and handed down from generation to generation.

Li Chaode, Dean of Academy of Fine Arts of Xiamen arts and crafts in Fuzhou University, also shared his thoughts on the excavation and protection of national costume culture. He believed that Qiannan had rich national resources and had great potential in developing national culture. It could give full play to its own resource advantages, combine traditional national skills with fashion, tell traditional ethnic stories in international languages, and design products that conform to the trend of the times in the original language, thus promoting the increase of embroidered girls in ethnic areas.

Experts from the participating groups worked together to provide suggestions for the sustainable development of Qiannan's ethnic costumes and related traditional handicrafts.

Finally, President Zhang Qinghui made a concluding speech to give full play to the positive role of the chairman, build China International Fashion Week and strengthen the combination of institutions and industries for the 2018 joint meeting of the academic and Exhibition Committee.

He said that building the value ecology of China International Fashion Week and establishing the pioneer image of fashion design became the important task to realize the pformation of China International Fashion week.

I believe that the academic resources and foresight of all colleges and universities will help to create a new path for the development of China International Fashion week.

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Attachment: China Fashion Designers Association

The fifth academic work committee

List of additional directors, executive members, members and alternate members

(all sorted by family name)

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