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A Generation Of Heroes -- The Image Of Emperors And Generals

2012/1/23 14:23:00 14

Emperors Dress Culture

What is magnificent?


It seems that exaggeration is not enough to describe people's beauty, but you will feel right after reading the following names.

Qin Huang, Han Wu, Tang Zong and Song Zu asked, which one did not have a vigorous and magnificent form and heroic spirit.

Of course, this beauty originates from the social and historical environment of presentation, such as the vast territory, the complexity of finding out, the strength of the scale, the size of the scale, and the number of people. It is also derived from the interior of the human being who condenses the aesthetic culture ideal of the times. It shows the people's outlook on the universe, subject consciousness, life drive and creative passion in that era.

Thus, the inner and indirect historical and cultural implications are clearly displayed on the external and direct perceptual form.

Clothes & Accessories

The image of "magnificent" weather.


They have been proud of the world, powerful, they have masculine atmosphere enveloped everything, the outer space, like the vast white clouds floating in the sky, the vast wind on the field.

Therefore, how can these characters not let us use the powerful language and magnificent description to show their bosom in the past.

What is more profound is that through the description of its dress image, the "casual" reveals a lively and interesting interest in life, thus giving people an aesthetic appreciation of their beauty.

It is also further explained that the spirit of magnificence is not to be sought, and that the image must be naturally cast out by the need to pcend a limited image and be self-cultivation.


Looking at the dress images of emperors and emperors in China, the common etiquette is the etiquette system, especially in the hierarchical society, clothing is not only an external symbol of human status, but also a manifestation of cultural accomplishment.

China is a world-famous "ceremonial state". It is known as the "etiquette three hundred, three thousand" and six sets in ancient times. The ritual department is the institution that makes and supervises all kinds of costumes and etiquette in the national ceremony.

Although there are differences in the history, ethnicity, society and ideology between China and the west, especially after the fourteenth Century, there is no specific pattern of clothing followed by the west, but it is related to the popularity of the times and the strong national power, but the dress etiquette norm is still quite particular.

And this is the excellence of it. No matter the East and West, the most visible clothing image is the royal one. It can be said that it is the concentrated expression of the finest material, the most exquisite craftsmanship, and the exquisite costumes made by the most valuable jewellery.

Therefore, it is no exaggeration to say that emperors' clothing is of great value in the long history of clothing development.

In contrast, the costumes show a more individualized aspect. The civil service generals, or the feather and the ribbon, or the clothes and the ribbon, or the golden horse, or the halberd armour, are all imposing, heroic and valiant.


Savoring the beauty of the image of emperors and generals is not only formal, but also the unity of form and content.

The magnificent charm is full of personality, infectious and deterrent. It is a kind of special masculine beauty and a positive affirmation of human essential power.

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